CD Review: Beirut’s “March of the Zapotec”/”Holland”

By Mike Altman

Zachary Condon started his solo musical project Beirut in 2006. With the help of Jeremy Barnes and Heather Trost, Beirut came out with their debut Gulag Orkestar. This release was followed by several EPs such as Lon Gisland and The Flying Club Cup. As his main influences, Condon utilizes both the trumpet and the ukulele (which is becomes slightly lost in the large band).The blend of sounds leaves you with a folky, eastern European aftertaste in your mouth.

Recently Beirut released the double EP March of the Zapotec/Holland, heavily influenced by Condon’s trip to Oaxaca, Mexico. The album was recorded in coordination with the Jimenez Band, a 19-piece ensemble from Teotitlán del Valle, Mexico.

The album hit me in two distinct ways. As the EP is split, so did my opinion on the work. Some of songs bring out a raw and very different emotion from the Jimenez Band. However, some of the songs drag sounds out and are too low-energy. For those looking for an upbeat-sounding, fun album, skip halfway through to the Holland half, which brings out an interesting mix of enlivening in contrast to funeral procession beginning.

Highlights, the subtle discord of accordion accompanied by a sweet melody of hand bells and a trumpet really work well in the “The Concubine”. Be sure to check out “The Shrew”, which I feel is the highlight of the first half of the album. I also enjoyed Condon’s techno ending whose catchy riff really keeps your foot tapping in “No Dice”.

In the end, Beirut gives me a great deal of satisfaction. This mix EP is like taking a trip to Mexico and immersing yourself in a host family that recently had a good family friend die. After reflecting heavily with your family, you travel with them to the discothèque and party the night away remembering your compadre.

The Bottom Line:
Grade: B-

Recommended Tracks: The Concubine, The Shrew, No Dice