Log In

By Candise Henson

The Gettysburg Dance Ensemble—a student-run, freestyle dancing club—held its spring performances this past Friday and Sunday, March 26th and 28th. The program, entitled “Move It!,” included dancing styles of hip hop, contemporary, jazz, salsa, swing/blues, and several others. The club’s president, Jen Giambrone, opened the show with quick words of gratitude to the contributors, and then it began.

The first jazz dance, performed to “Tik Tok,” seemed disjointed and disorganized. Unfortunately, it was followed by a similarly disappointing hip hop performance to the song ‘When the Bass Drops.” Fortunately, both of these dances could be overlooked because of the acts that precluded and followed them.

Majd Gammoh and Nav Sokhey’s duet was phenomenal; however, Sokhey performed even more spectacularly when she teamed up with Samir Lavalani to create their Bollywood Mix, combining music with the elements of film, and electrifying the stage with humor and talent. The dancers were energetic and overall, wonderful.

First-year Nora Dennehy’s solo “A Nervous Tic Motion of the Head to the Left” was wonderfully choreographed and danced. I truly appreciated that she didn’t turn her chance to shine into a sexually charged excuse to gyrate her hips and grab at her shirt erotically, as another dancer did.

Any time Steph Tait or Sara Thomas were onstage, it was nearly impossible to watch any of the other dancers. Both women danced with high energy and passion; by watching them, it was easy to see that they were enjoying and feeling the music.

Perhaps the most disappointing performance was to “Don’t Stop Believin’.” I was highly anticipating the dance because the song is so uplifting and enjoyable, but the choreography fell short and the dancers just didn’t step up and make it exceptional.

Another murder in the dancing realm occurred with the Center Stage-inspired dance to “Higher Ground.” While the film’s version of the dance is upbeat, intensive, and generally enjoyable, the Gettysburg version made my soul die a little. Horribly choreographed, terribly performed, and generally uncomfortable to watch.

As expected, the BOMB Squad performed well. Their movements were well-timed, and all of the dancers maintained the high energy throughout the entire piece—not an easy task. My only complaint is that the song “Tik Tok” was used earlier in the show (although the BOMB Squad used it much more effectively).

Although typically I have learned to expect great things from Gettysburg’s swing dancers, I felt that this performance fell short of others I have seen. The energy wasn’t there, and two of the lifts showcased in the middle of the stage looked as though they were physically paining the males involved. I recognize that it is not easy to lift another person quickly while keeping time to the music, but if you can’t do, don’t try to do it in front of an audience.

The Irish solo by Heather Smith was great—I would have loved to have seen more.

The “Ambiance” performance, while extremely unique and refreshing, was inhibited by the expressions on three of dancers’ faces—they looked as though they would rather be anywhere but up on stage. Fortunately, the piece was salvaged by the electric smile and clear bliss on Victoria Fievre’s face as she moved.

The best performance came towards the end of the program, and the unwilling guest I brought with me was glad that he stayed after seeing Britt Stonestreet’s rendition of the “Cell Block Tango.” The facial expressions of the dancers were in perfect conjunction with the meaning of the piece and the actual Broadway performers’ intentions. Additionally, Robby Ford’s lifts were impressive, and his dancing was top notch. The women in this piece really brought their best efforts and emotions.

The Dance Ensemble holds a performance each semester; the upcoming semester’s performance will be run by newly-elected president Sara Thomas and vice president Mallory Gardner, along with their fellow executive board members.

Comments

comments

  • Hot off the press…

  • Browse the Archives